Cover art for manna

manna

by alliyah

Published September 23, 2026

E - Everyone

In Poetry (ruminating)

i count the spaces between my ribs like a tally of unanswered prayers / my body is an empty basket; heavy from hollowness / and i am tired of trusting tomorrow for my bread / lost enough to long for Egypt (even when i know the sea would swallow me whole) / He answers my heart-grumbles with sun-rise and sparrow-song and frost on the ground / i do not want to listen / He tells me to trust Him / but i am starving; i am an empty cistern, Jonah's whale, a gaping ossuary. / so i swallow every promise whole; and try not to choke on quail feathers.

a little boy holds out his lunch; loaves and fish, coriander and dew / he gives the Savior everything / and i am ashamed at all the manna i’ve been keeping in my pockets / i put my hope in the offering-basket as it passes by / and ask God if He can use my crumbs.

He unfolds my hands white-knuckled, thumbs bruised from prayer / and plants a seed of mustard-grain / whispering, “stop holding bread, hold Me instead.” / i let my palms become soil, become ready-manger, become sky-waiting-for-starlight; calloused, broken, open / Sarah laughs with Sarai this time, sharp but clear like the desert-wind, “Listen child, tomorrow is soon.” / this time, i laugh with her too, if only to fill the space in my ribs before the tide comes in.

Comments & reviews · 4
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4revgreen
Review
4revgreen wrote a review Review · Sep 26

Hi alliyah! I have loved reading your poetry previously and this is such a beauiful piece I knew I had to review it today!

I'm not Christian, and I don't believe in any religion or God, but I do have a strong fascination with Christian imagery, scripture, the Bible and particularly Jesus (I have a wall in my room dedicated to postcards I find of Jesus & Mary), so I'm hoping my informed yet secular view will offer some useful insight and not be too off the mark!

i count the spaces between my ribs like a tally of unanswered prayers


It's very interesting to me to start off with the imagery of ribs. It first evoked the image of God creating Eve out of Adam's rib, and perhaps there's something to that here too, showing the ribs as the site of both creation and lack, like a body built from someone else's fullness now counting its own emptiness. It also evokes the idea of starvation or hunger. Ribs are what show when a body is starving, so the "tally of unanswered prayers" sounds like the narrator is physically wasting away, and that their prayers are not being answered.

my body is an empty basket; heavy from hollowness


Something empty would usually be light, but here it is described as heavy, and this tells me this isn't peaceful emptiness, but a burdened one. Perhaps not having faith in the saviour is making this empty heaviness.

lost enough to long for Egypt (even when i know the sea would swallow me whole)


I see in your stickied comment you were inspired by the Midrash account of Nashon who entered the red sea before it had split because he had faith. So here, the narrator has lost their faith, since they think the sea would swallow them, and God would not part it for them.

/ He answers my heart-grumbles with sun-rise and sparrow-song and frost on the ground / i do not want to listen


God's response is so tender here. But the narrator is not comforted by the beauty of the natural world, they do not want to listen. Perhaps they need something stronger to test their faith.

a little boy holds out his lunch; loaves and fish, coriander and dew / he gives the Savior everything / and i am ashamed at all the manna i’ve been keeping in my pockets / i put my hope in the offering-basket as it passes by / and ask God if He can use my crumbs.



Okay wow, I was so blown away by this stanza. It's a tonal shift from the emptiness and starving of the first stanza. The boy may have nothing else left, and he still offers all he has to the saviour. I know manna is a food God gave to the Israelites in the bible, and that it is special, and yet the narrator has been hoarding it. I think Manna, in Exodus, couldn't be hoarded, and anyone who tried to save it overnight found it rotten by morning, right? So that is why the narrator can only give crumbs.

whispering, “stop holding bread, hold Me instead.” /


This gave me chills. There is so much tenderness here, forgiveness and belief. The saviour plants a seed so that the narrator can grow and no longer be empty, their faith can grow and develop as the plant would.


I honestly have no criticisms or critiques to give; this was wonderful <3

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JukeboxHeart
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JukeboxHeart commented Comment · Sep 23

hello Juke here! as not only a Christian myself but also as a fellow writer, this is … absolutely amazing. the word choice is v. clear and upfront eye candy; the soft italic quotes you use give it wholesome life, and your Scripture references click together seamlessly.
idk why but i really loved the line

Sarah laughs with Sarai this time …


the name change from Sarai to Sarah (‘Princess’) signifies Sarai becoming a new version of herself, the mother of a looot of influential Jewish patriarchs. i also wanted to make a connection of this line to the book of Galatians, in which St. Paul compares the slave Hagar to Sarah to juxtaposition the old and new covenants established by Christ. he says we are made free by the new covenant and are children of the free woman (Sarah), not the slave woman (Hagar), and your poem kind of reminded me of that - as children of the new covenant we can laugh with that old version of ourselves, the husk bound to the old covenant.
this may be a v. wild interpretation, but that’s how i saw it :) never stop writing, alliyah ! much love from a fellow sister in Christ :D

~Juke

alliyah replied · Sep 26

Thanks so much for the lovely interpretation! <3 Right on with the name change too - I think the renaming of folks in the scriptures is very poetic in itself, and reminds us how we are made new in Christ (even when the old still burdens us, Christ is more powerful yet). Thanks for stopping by!

Blessings <3
A

User avatar
hira
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hira wrote a review Review · Sep 23

Hey! I absolutely loved this poem. I love the imagery you've used, the hunger, the bread, everything is so beautifully put together, representing longing, faith, and uncertainty. The initial imagery really hooked me in with the counting the spaces between your ribs like "a tally of unanswered prayers". It just immediately brought this sense of this empty, unfulfilled feeling without even having to explain anything.

I also loved the Bible references. Egypt, manna, Jonah, loaves and fishes, mustard seed, and Sarah all tie together the themes of the poem so beautifully. It felt all connected together instead of just randomly using names and places. My absolute favorite part of this poem was probably the little boy offering his lunch and the speaker realizing how much "manna" they had been clinging to. Just such a beautiful and heartbreaking imagery.

The imagery in the final stanza is beautiful as well. The hands unfolding until the palms become soil, a manger, then the sky waiting for starlight is such a lovely ending, almost like a prayer.

I loved the juxtaposition of being hungry of something obtainable and being told to have faith in something you can't see. The poem doesn't romanticize faith and belief; instead, the speaker is still struggling in their faith, which makes the outcome all the more heartwarming.

I feel like this poem is the most personal, spiritual, and beautifully crafted piece I've ever read. I just loved the beautiful and lovely imagery the poem contains. It was truly captivating, and the ending left me in a really nice sentiment. Beautiful work! <3

alliyah replied · Sep 23

Hi hira, very sweet review - thank you! I appreciate the comments and interpretation - was really trying to hit that mark of portraying *exhausted* but not *utterly hopeless* which can happen so often in faith - that endurance to continue in-spite of lack. Glad that tension seemed to come through! Thanks for stopping by. Blessings!

A



The bird that would soar above the level plain of tradition and prejudice must have strong wings. It is a sad spectacle to see the weaklings bruised, exhausted, fluttering back to earth.
— Kate Chopin, The Awakening