Letters To The Moon

by Aster

Published September 20, 2026

12+

In Prose!

I used to write letters to the moon.

Not because I believed her porcelain mouth would open to answer, but because some questions are too heavy to breathe into human ears. They require a listener made of dust and distance, someone who knows how to hold a secret without letting it bleed.

Every night, I would sit by my window, balancing a notebook across my knees like an altar, and let ink whisper across paper to Selene. She felt like an old friend banished to the heavens, an outcast wearing a pale crown, exiled to a quiet kingdom impossibly far away.

I told her about the people I missed, wrapping their absence in careful words so I wouldn't have to name the ache. I told her about the doors I yearned to open, and the rooms that swallowed my courage whole whenever I stood at their thresholds. I wrote of that peculiar, suffocating loneliness - the kind that sits beside you in a crowded, noisy room, leaning in close to whisper that you have been left behind while the rest of the world moved on. I surrendered to her all the truths daylight had threatened to burn away. Sunlight was always too raw, too unsympathetic. Daylight demanded reasons; the night only offered room to those who had been banished by their own kingdoms.

I remember one afternoon in particular - a slow, syrupy golden hour when the heat settled over the house like a heavy fleece, lulling every corner to sleep. I sat beside the window sill, watching the ice cubes inside my glass slowly surrender their bodies to the water, shrinking into nothingness piece by piece. Above me, the ceiling fan whirled in lazy, rhythmic circles, clearing its throat with a tired little creak at every turn.

From somewhere deep within the house, a sudden burst of warmth and laughter spilled out - a joke shared between voices I couldn't place, an intimacy I was only allowed to watch from the periphery.

Outside, in the narrow gap between two concrete giants, a little boy was trying to teach a red kite how to fly.

It kept falling, heavy and reluctant.

He kept tugging the string, desperate for the wind.

Falling.

Pulling.

Falling.

Pulling.

And I sat there, paralyzed, unable to pull my gaze away from that quiet, stubborn dance between a boy and the sky.

The sunlight was indifferent and merciless in its generosity. It spilled over everything without asking whether it was worthy of grace. It kissed the dusty windowsill; it illuminated the chipped, peeling paint; it stroked the drooping leaves of a pothos plant I had condemned to slow starvation. I still feel guilty for my bitterness yet my arms could never reach out to those plants. As if, fate had decided to take away them from me, too.

As I was lost in my delusion, the Sun's light draped itself across my own hands, turning my pale skin into something golden and unfamiliar, as if my hands belonged to a stranger who knew how to live.

For a brief, suspended beat, nothing was wrong.

Nothing was particularly right, either.

It was simply a breath that existed, unmeasured and unburdened.

And I remember the sudden, desperate pang in my chest: I wish I could trap this moment in amber.

Not because it was extraordinary - it wasn't. It held no grandeur, no triumph. I wanted to keep it because I was terrified that one day, my hands would grow cold and forget what the simple warmth of an ordinary afternoon felt like.

I think that was the day I finally understood why humans leave marks on paper. We do not write to immortalize the monuments or the victories. We write to rescue the fragile, forgotten moments that never realized they were meant to be saved.

That evening, I confessed the afternoon to Selene. I described the red kite’s fragile struggle, the melting ice drowning in the glass, and the ghost of laughter floating through the hallway. I told her that, for a few exquisite minutes, gravity had forgotten my name, and I had felt light enough to float. Then, I asked her the question that had been haunting my chest: Why does happiness only learn how to glow after it has already flickered out?

She gave me no voice. She offered no signs. She never did.

Perhaps that silence was why I trusted her with my life. She never offered me hollow platitudes. She never told me that agony was merely a seed for future growth. She never demanded that I find a silver lining in my bruises, nor did she order me to be grateful for the breath in my lungs. She simply stayed. She hung above my window sill like an ancient, forgotten queen who had lost her throne, yet still recognized a fellow exile.

I often wondered if she had watched humanity for so many millennia that our small, agonizing tragedies no longer felt like ruptures to her, but merely the rhythmic rise and fall of the ocean. Perhaps she had watched great cities crumble into dust, maybe she had seen lovers carve promises into the night under her gaze, only to walk past each other as strangers beneath the harsh sun years later. She would've watched small children with wide, hopeful eyes grow into weary adults who slowly forgot how to tilt their heads toward the stars.

And, after drinking in all that quiet heartbreak, she had discovered the gentlest form of mercy: to witness a soul without trying to fix it.

So I kept writing.

I wrote about the ghost names that still echoed in the hollow corners of my memory. I wrote about the desires I craved in secret and the dreams I pretended to despise out of fear. I wrote about the horrifying suspicion that I was slowly mutating into a stranger I wouldn't recognize in a mirror. I wrote about old memories that had been handled so many times their colors had bled, until I could no longer tell where the truth ended and my imagination began.

Sometimes, my pen would tremble into questions:

Will I ever step into the skin of the person I keep dreaming about?

Does loneliness ever truly pack its bags, or do we just build a bigger room inside ourselves to hold it?

How do you keep burning bright when there is no one left around to see the fire?

Once, in a moment of desperate vulnerability, I asked her if she thought I was wasting my fleeting youth by standing at the edge of the world, waiting for a savior that had no name.

That letter bled onto the page. It was the hardest thing I had ever forced into reality. When I finished, I folded the paper three times, tight and small, and buried it beneath my pillow like a curse.

The next morning, before the sun could fully wake up, I tore it into shreds.

I don't know what drove my fingers to do it. Perhaps some questions are like soft creatures of the deep, too fragile and delicate to survive being dragged up into the blinding glare of morning.

So my letters remained incomplete, scattered like autumn leaves beneath my bed, tucked into dusty notebooks, and pressed between the yellowing pages of novels I had abandoned halfway through. Some were swallowed by time, disappearing entirely into the floorboards. Some resurfaced months later, their blue ink fading like an old memory at the edges.

I could never bring myself to burn them. It felt like a betrayal, an act of cruelty to destroy something that had once held a beating piece of my heart.

And every night, without fail, the moon returned to her post.

Sometimes she appeared full and blindingly radiant, almost arrogant in her brilliant, silver armor. Sometimes she was nothing more than a pale, delicate sliver of light, fragile and exhausted, floating in the dark.

I loved her most when she was broken. And no, I was not a sadist, I was a mere soul wearing flesh for show. A soul which had seen numerous days yet never had the guts to sew them in his brain.

There was an incredible, healing comfort in seeing that even the celestial bodies could erode into almost nothingness, hide away in the dark, and still return to the sky without offering the universe an apology.

So I released her from the burden of answering me.

I stopped begging her to explain the cruel geometry of life - why some people vanish without a sound, why painful memories linger like uninvited guests, or why a day becomes sacred only when it is already sliding into the past.

I began writing simply to offer her tiny fragments of the earth she could never touch.

A solitary sparrow perched on a wire string.

The cool, metallic shine of rain pooling on the iron balcony.

A forgotten song drifting from an open window down the street.

The red kite, finally finding the wind, dancing high above the brick.

The small, quiet things. The things daylight was always running too fast to see.

And somewhere along the way, that quiet exchange became our sanctuary.

I surrendered my heavy words to her, and she opened her silent sky to hold them. I showed her what the sun had overlooked, and she reminded me that being quietly witnessed by another soul is not the same as being understood. But sometimes, in a lonely world, it is more than enough to keep you alive.

Maybe that is why my eyes still wander toward the night sky whenever the silence in my room grows too loud.

Not because I am waiting for a miracle.

Not anymore, at least.

I think I simply need to know that above the sprawling roofs, above the blinding neon lights, the screaming engines, and the millions of tiny, fragile lives fighting to survive beneath the dark, Selene is still there.

Watching over us.

Holding the night.

Guarding her absolute, merciful silence.

In a world that demands we justify our existence at every turn, there is a profound grace in a silence that asks for nothing back.

She never spoke a word.

She never came down to save me.

And perhaps, for the questions that break us, her staying was the only answer that could have saved me anyway.

Comments & reviews · 4
User avatar
Tikaya
Review
Tikaya wrote a review Review · Sep 26

Hia Aster!
Great job on your reviews! I had my eyes on your story for days now, glad to use Review Day as an excuse to finally go through the long list of things I always wanted to read on YWS =D

Aww I like the first sentence! I have a certain expectation of the story now ^^
Also ok, ok culture clash. Ofc for most ppl the moon is a lady but I’m always shocked XD Where I come from the moon is a guy and the sun is a gal =D

because some questions are too heavy to breathe into human ears.
Ohh so basically a form of a diary, only addressed to the moon, to deal with the heaviness of life?

They require a listener made of dust and distance, someone who knows how to hold a secret without letting it bleed.
That is a beautiful sentence <3

I surrendered to her all the truths daylight had threatened to burn away
I really like this as a culmination of the secrets they write to Selene. It works very well!

the ice cubes inside my glass slowly surrender their bodies to the water,
That is such a cool description! (ignore the pun) I love it!
Also, ceiling fan mentioned, makes me happy =D We should bring them back!

Hmmm I’m not sure I like how you transition to the boy and the kite. You have the narrator hear voices inside the house (probably THEIR house? Not a flat or so below? Voices that they should know and they are having fun without them!) and then, without apparent reason they are suddenly paralysed by the boy outside? I feel like you should have spent one more sentence to tell us why you went from the voices to the boy?
Otherwise, I do love how you describe their fascination with the scene!

As if, fate had decided to take away them from me, too.
I kinda like the juxtaposition that they are aware that they could prevent the plants from dying but aren’t doing them and then they call this fate. It tells us a lot abt them as a person :3

if my hands belonged to a stranger who knew how to live.
Oh that is heavy. And also really really good!

Why does happiness only learn how to glow after it has already flickered out?
I really like how they ask this question. As if they have truly never experienced happiness while they were in the process of being happy. Only ever after the feeling is over, “oh I guess I was happy then”
And that is just so sad. I do like how they “confess” this to Selene as if it were a grave secret :3

to witness a soul without trying to fix it.
the perfect listener, huh? (I love your descriptions, the queen in exile, seeing a kindred spirit etc Very nice!)

It was the hardest thing I had ever forced into reality.
Ohh how you describe this as being forced into reality. After hearing so much of their struggle through implication and their melancholic nature, this hits hard.
I like how you use them tearing up that faithful letter to describe what they are usually doing with the ones they aren’t shredding.

Hm I guess I have made the observation that you keep the memories that you come back to more often. So if you make the effort to treasure the good times, they will also stay with you longer. There is no effort in remembering your failures, the bad times, the brain clings to those and endlessly repeats them for you. You have to actively work to think of the good times, and you’re gonna be happier for it =D

(I like how you bring back the kite and the other memories with a more positive spin!)

Hmm I feel like toward the end the story got a bit on the long side but I enjoyed it very much. Very beautiful phrasings you have in there :3

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Aster replied · Sep 26

Aww thank you soo much!! 💗✨️

User avatar
DomTheDumb
Review
DomTheDumb wrote a review Review · Sep 22

This is a very enjoyable and very engaging piece right from the off. Some highlights:

So I released her from the burden of answering me.

I stopped begging her to explain the cruel geometry of life - why some people vanish without a sound, why painful memories linger like uninvited guests, or why a day becomes sacred only when it is already sliding into the past.

I began writing simply to offer her tiny fragments of the earth she could never touch.

Very well written!

I think I simply need to know that above the sprawling roofs, above the blinding neon lights, the screaming engines, and the millions of tiny, fragile lives fighting to survive beneath the dark, Selene is still there.

Watching over us.

Holding the night.

Guarding her absolute, merciful silence.

Chef's kiss.

I don't have much to say in the way of critique, but I did think there were a few areas for improvement. For instance:
someone who knows how to hold a secret without letting it bleed.

Is a sentence that doesn't quite work. Maybe replace bleed with leak or slip or something. It's the "bleed" that's throwing me off - it's just a little bit too out of place.

Another:
I stopped begging her to explain the cruel geometry of life - why some people vanish without a sound, why painful memories linger like uninvited guests, or why a day becomes sacred only when it is already sliding into the past.

While really very well written in a craft sense, I don't think it makes much sense. The final question doesn't make any sense in particular - what do you mean a day becomes sacred only when it's sliding into the past?

Another:
That letter bled onto the page.

Do you mean to say that the narrator felt like writing the letter was akin to bleeding onto the page? If so, I believe it can be said better.

There are a few more examples like so, but I think very well done! Very engaging read, indeed :)

Aster replied · Sep 22

Thank you so much for the review and reading my work! 💖

User avatar
hira
Review
hira wrote a review Review · Sep 21

I thoroughly enjoyed this reading. The way the narrator talks to the moon is so atmospheric because, instead of responding like a living creature, Selene does not return the same. You manage to make her silence the safest place for the narrator to voice all the things he cannot say aloud.

I loved the image of the little boy with the red kite. Its repeated falling down and pulling back was simple, but complemented the musings of the narrator. The melting of ice, the laughter far away, the sun on one's palms, and many other things made this simple afternoon sound truly special!

The whole idea of writing to capture the moments that would be gone is probably my favorite part of this piece. I think it was this idea that summarized the plot so beautifully! We see that the narrator does not write to receive answers, but to let things live on outside of his mind.

I adored the way you make the moon change throughout the course of the piece. I think it is beautiful how her being "broken" is the moment she is loved in the most. It is wonderful how her being a supernatural creature is not seen here as such, but as a reflection of the narrator. The ending summarized this message for us, showing that sometimes just being seen, even if misunderstood, is all that we can ask of things.

My only complaint was the frequent length of the paragraphs. They seemed to stretch on and contain too many metaphors at the same time, making the imagery of the best parts get lost in the midst of other ideas.

Overall, this was a beautiful piece and I enjoyed it very much! I loved the simplicity of it all, and the connection the narrator made with Selene stayed with me long after I had finished reading. Simply wonderful! <3

Aster replied · Sep 22

Thank youu soo muchhh!!
🤧💗

User avatar
AdaAshland
Review
AdaAshland wrote a review Review · Sep 20

quick review:
wow.
this short story was so beautiful, so many aspects for people to relate to. I loved the use of imagery and metaphors to help the readers picture and feel the story. the concept was something i found super interesting.
i was i little confused what it said the letters were never finished or sent, because i has assumed they were being sent to the moon. perhaps that was implied and i missed it. i think you ended it in a great way and at a good point in the story, so it didn't feel abrupt or unresolved. i really liked the child with the kite, although i was a bit confused when the focused shifted to that it made more sense later in the story.
so yeah, great story, love the figurative language, love the concept. can't wait to see what's next c:

Aster replied · Sep 20

Thank you soo much!
I wrote that description because those letters are sent to the Moon by the protagonist in their mind, not irl.



The tools of conquest do not necessarily come with bombs and explosions and fallout. There are weapons that are simply thoughts, attitudes, prejudices; to be found only in the minds of men. For the record, prejudices can kill, and suspicions can destroy. A thoughtless, frightened search for a scapegoat has a fallout all of its own.
— Rod Serling, Twilight Zone